“small sweet pink lump” (2020), polyester, polyurethane, pins, and adhesive, 40 x 44 x 39 centimeters. All images © Troy Emery, shared with permission

Many pet owners are quick to name their dog or cat’s breed, but those bringing home one of Troy Emery’s colorful sculptures might need to figure out what species they’ve adopted first. The Melbourne-based artist creates amorphous artworks that resemble a range of four-legged friends, although their figures are enveloped with swaths of long, flowing fringe rather than distinct characteristics.

In a note to Colossal, Emery shares that his tassel-covered sculptures consider how both fine arts and craft are portrayed broadly, in addition to the unique position non-human creatures hold as “tokens of ecological ruination… Along with the theme of animals within decorative arts, my practice plays with both scientific and cultural categorization of the ‘natural’ world, creating ‘fake taxidermy’ that falls between reality and fantasy as exotic hybrid creatures,” he says.

Emery’s indeterminate sculptures are currently on view through an online exhibition with Martin Browne Contemporary, and more of his textile-based projects can be found on Instagram. (via The Jealous Curator)

 

“Bird Catcher” (2017), rayon fringing, polyurethane, glue, and pins

“ingot eater” (2019), polyester, polyurethane, pins, and adhesive, 78 x 98 x 54 centimeters

“pink peony” (2020), polyester, polyurethane, pins, and adhesive, 39 x 68 x 22 centimeters

“shadow” (2019), polyester, polyurethane, pins, and adhesive, 51 x 50 x 45 centimeters

“savage” (2020), polyester, polyurethane, wire, fiberglass, pins, and adhesive, 32 x 90 x 40 centimeters

#animals #sculpture #thread

 

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