*本文来源：魔笛手 Design（公众号ID:PiedPiper2018）‍；作者：Remy；原标题：《THE MEMORIAL / 能海上师纪念馆》


制作出了一套以3D Mapping—光雕投影为主的创意展项方案。



  • PROJECT :   
    成都近慈寺.
    剑南大道北段899号

  • PLANNING :
       向辉｜习春

  • THE CHIEF DESIGN :
    余快｜毛文

  • ORGANIZER & TEAM :
    张高鹏｜ 李雨阳

  • PHOTOGRAPHY:   
    Phil


  • AREA：
    150㎡

  • YEAR：
    2021-2022



FEFERENCE :
《新川远瑞科技》、
《云游四海文化传播》、
《新川远瑞科技》、
《成都视研所》

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01

FOREWORD

前言

近慈寺
作为上世纪三十年代崛起、由藏王敕封的黄教庙宇，是成都市政府明令保护的文化单位。能海上师纪念馆是近慈寺专门打造：纪念其创始人、奠基者——能海上师
的
藏传佛教文化
展示馆
。  

Jinci Temple, as a temple of Tibetan Buddhism that rose in the late 1930s and was sealed by the Tibetan king, is a cultural unit that the Chengdu government explicitly protects. Nenghai Memorial Hall is a Tibetan Buddhist cultural exhibition hall built by Jinci Temple to commemorate its founder, Nenghai. During the whole building process,.  

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02

3D MAPPING

涅槃

这是一处集历史、宗教、知识和参与性于一体的，充满梦幻神秘色彩和强烈震撼力的文化教育场所。也是目前唯一一座全方位介绍能海上师事迹，打造担当奉献之德行和僧格的基地。  

It is a cultural and educational place that integrates history, religion, appreciation and participation, full of fantasy, mystery and strong shock. At present, it is the only base in China to introduce the deeds of supreme Master Nenghai in all aspects, and to build the virtue and sangha of dedication.  

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设计初期，业主方准备以透明橱柜的形式进行展览，但无法体现出展馆的核心介绍灵魂，团队在现场进行了整体背景了解后，制作出了一套以3D Mapping—光雕投影为主的创意展项方案。  

At the initial stage of construction, Party A originally planned to hold the exhibition in the form of transparent cabinets, but it could not reflect the key roles of the exhibition hall. After the comprehensive investigation of the site, our team worked out a set of creative exhibition schemes focusing on 3D mapping-light sculpture projection.  

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经过对藏传佛教与能海上师生平的艺术提炼，创作了一座能海上师的白模雕塑，运用
3D Mapping
的
特效进行充分演绎，使序厅呈现出极具震撼的视听效果，让该展项成为空间内科技与文化相结合的一处精神堡垒。  

After digging into the Tibetan Buddhist culture and the life experience of the renowned Nenghai deeply, we communicated with Party A to build a sculpture of the Nenghai. It’s displayed with 3D Mapping, using light and shadow to interpret the personal experience of the Nenghai, which showed artistic and colorful visual effects, and also made it a sparkling point combined science and technology with culture in this exhibition hall.  

03

PRESTIGE

大德

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在数字内容与制作的集成过程中，结合其历史情节，运用丰富的平面构成为展墙赋予层次美感，植入故事场景和不重样的多媒体手段，去形成一钟全新的观展体验，让人物与文化的传播形式更加生动。  

In the process of integration of digital art content and production, based on the expressive content, abundant light and shadow are used to help static sculpture be endowed with dynamic and energy. Furthermore, the combination of audio and video forms a brand-new visual experience, which also makes the ways of spreading historical culture and figures more vivid.  

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要在传统形式下与现代功能之间取得平衡，同时又避免历史样式的简单重现，一直都是设计者们不断突破追求的痛点。这种分寸感需要拿捏得恰到好处，因为很容易造成过犹不及的效果。

To strike a balance between traditional beauty and modern functions, and at the same time to avoid the simple reappearance of historical figure. This has always been the peak that designers constantly pursue. This kind of design needs to be properly balanced with proficient skills, because it is easy to chase too far and break the balance.

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多样化的互动装置均恰到好处地贯穿于各大展陈内容之中。在节奏紧凑的环境下，能连续体验到“单点触控系统”、“全息景箱”、“聚音罩祈愿感应”与“互动推拉屏”等等，辅之以声、光、电运用……已足够精彩。  

Art scene restoration, multiple multimedia interactive installations are properly throughout the major content exhibition. In a fast-paced environment, you can experience the “single touch system”, “holoview box”, “sound hood prayer sensor” and “interactive push and pull screen”, complemented by sculpture scenes, which are wonderful enough.  

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04

ABOUT

合十

近慈寺是内地首创的格鲁派金刚道场。能海上师一生所建的道场众多，但都以成都为根本道场，其后在各地兴办的其他庙宇，皆以近慈为楷模。团队有幸参与整个展陈展项设计，为国家宗教文化事业的传播，尽绵薄之力。  

Entitled as “Jinci” by the Tibetan king, it is the first Gelug King Kong Buddhist rites to pray for eternity in the Mainland. There are many rites like this built by Nenghai throughout his life, but they all take this one as the core. Later, other temples set up in various places are all based on the Jinci Temple.   

*本文来源：魔笛手 Design（公众号ID:PiedPiper2018）‍；作者：Remy；原标题：《THE MEMORIAL / 能海上师纪念馆》


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